Dr. Burt Brent and his Hippopatomus

 Posted by on January 28, 2015
Jan 282015
 

San Francisco Zoo
Sloat and The Great Highway
Lakeside

The Heavyweight

This hippopotamus is not only a wonderful sculpture but a favorite climbing creature in the San Francisco Zoo.  Heavyweight was sculpted by Dr. Burt Brent of Portola Valley.

According to a 2007 article in the Almanac:

Dr. Burt Brent, a plastic surgeon with an office in Woodside, has built his career and an international reputation on creating living ears for children born without ears or with deformed ears. He has pioneered a technique for building new ears out of the kid’s own rib cartilage; the ears actually grow as the child grows.

Over the last 30 years, Dr. Brent has provided real ears — and the dignity that goes with them — to more than 1,800 children from all over the world. In 2005 he received the Clinician of the Year Award for lifetime achievement from the American Association of Plastic Surgeons.

Officially, Dr. Brent is an associate professor at the Stanford Medical Center. He does six to eight operations a week as a staff surgeon at El Camino Hospital in Mountain View.

Dr. Burt Brent The Heavyweight sculpture

 

Heavyweight, was donated to the zoo by Dr. Brent.

San Francisco Bronze Scupture

The Carved Tree of San Francisco Zoo

 Posted by on September 24, 2014
Sep 242014
 

San Francisco Zoo
In Front of the Mother’s House
Lakeside

San Francisco Zoo Carved Tree

This carved seat, surrounded by animals was done by Sean Eagleton,  well known for his huge wood carvings on long dead trees. He prefers to call them “healing poles”. Shane feels that the huge healing poles, once planted at various points all over this earth will bring solace to Mother Earth and those that inhabit it.

Sean Eagleton

Shane “Tonu” Eagleton is a Polynesian master wood carver, whose work can be found in Golden Gate National Park, the San Francisco Zoo, Presidio National Park, the California Academy of Sciences, Golden Gate Park, and Shoreline Amphitheater.

Sean Tonu Eagleton

Shane has served as the Artist-In-Residence for The Cultural Conservancy in San Francisco, where he worked to preserve sustainable indigenous art traditions and use environmental art to educate people about the preciousness of the planet. Through Shane’s ecologically-based sculptures, wood block prints, furniture, and healing poles, he communicates the importance of using natural products from the Earth that have been abandoned as waste. All of Shane’s wood is salvaged from parks, dumps, and landfills. Through the restoration of indigenous wood carving traditions, Shane inspires communities to re-connect with their roots, protect endangered species and cultural traditions, and celebrate the mana (spiritual life force) that connects all things in the universe.

Carved Tree at San Francisco ZooKoala

Carved Tree with seat at SF ZooPenquin

SF Zoo art

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Shane

Mother Kohola sculpture by Shane Eagleton on display at Crissy Field on San Francisco Bay at the Pacific Islanders Cultural Association’s Aloha Festival in 1996. It is carved from a single 5 ton 40 foot long 2000 year old abandoned redwood log salvaged from a defunct sawmill in Mendocino County, California.

Tigers and Cougars at the Zoo

 Posted by on April 30, 2013
Apr 302013
 

San Francisco Zoo
Outer Sunset

Cougar at the San Francisco Zoo

Tiger II by Gwynn Murrill

Tiger II by Gwynn Murrill

Gwynn Murrill has always worked with animals as her subject matter. She captures the beauty of her subjects and their particular postures with astonishing authority. Stripped of surface detail and complexity, the subject is reduced to the essence of its being and the sculptures are almost abstract in their contemplation of pure form. Her creatures roam amongst us, inviting interaction, yet remain intent on their own purposes, directed by their own passions, their inner life inaccessible to us.

Gwynn was born June 15, 1942 in Ann Arbor, Michigan she holds an MFA from UCLA (1972)

Cougar II by Gwynn Murrill

 

Cougar III

Tiger II and Cougar III were purchased by the Arts Commission for the Zoo’s main entry plaza with funds generated by the City’s percent-for-art program, which allocates 2% of capital projects for art enrichment

Gwynn Muller is also Responsible for the Hawaiian at 200 California Street.

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