The Eastern Outfitting Company

 Posted by on March 10, 2001
Mar 102001
 

1017 Market Street
Mid-Market

1017 Market Street, San Francisco Architecture

This gorgeous building sits on Market between 6th and 7th.  It has been sheathed and scaffolded for quite awhile now, and it is a pleasure to see that it has come out from behind its blanket much better for the stay.

The seven story building, with its terra-cotta finish and steel frame construction has a unique steel and glass façade that begins above the ground floor retail space and is framed by Corinthian pillars. The giant Corinthian order columns and capitals are constructed of terra-cotta tiles; and the entablature, seemingly so massive, is in fact hollow—a galvanized-iron box. The words Furniture and Carpets stand out from that galvanized iron entablature reminding us that at one time it was the Union Furniture Store.

Mid Market Revival and Architecture in San Francisco

During the restoration they have put back the 700 lights that go around the windows.  They had simply been empty holes for many many years now.

To see some gorgeous photos of the building prior to its make over, visit Mark Ellinger’s wonderful piece Grand Illusion.

Corinthian Column, Historic Restoration

The building was designed in 1909 by George Applegarth (1875-1972).

Applegarth, born in Oakland, was a student of Bernard Maybeck, who encouraged him to train at the Ecoles des Beaux-Arts.

Applegarth’s most famous works were under the commission of Alma de Bretteville Spreckles. He designed both the Spreckles Mansion and the Palace of the Legion of Honor for Alma.

In 1921 and 1922, Applegarth was President of the San Francisco Chapter of the American Institute of Architects.

Public Art in San Francisco

A shot of the windows before restoration:

windows prior to restoration

Rainbow Warrior

 Posted by on March 9, 2001
Mar 092001
 
1061 Market Street
San Francisco

This little piece has got to just make you smile.  It is by the Rainbow Warrior, Ernest Doty.

Doty is from Albuquerque, New Mexico and presently lives in Oakland. He has lived a fascinating life which was covered in an interview at Oakland Art Beat.

An excerpt: I’m a high-school dropout, 10th grade was my last year, and I’ve always been an artist, that’s what I always wanted to be when I was a kid. I guess I forgot it for awhile when I was in my early 20s. I was an alcoholic, and once I gave up alcohol I got back into art and making it a career. I made a whole life switch, stop eating the bad foods, stopped that 9-5 job, got back into making art, making it a full time job. Art helped me focus in a lot of ways. Before it just seemed I would wake up most days, hung over, doing a job that I hated, only wanting to go home and relax; I was completely unhappy with every aspect of my life, but art helped me find focus, helped me find myself again.

His website doesn’t mention his rainbow work, but here is an interview with him regarding the rainbow work he did in Albuquerque.

An excerpt from the article about his motivation…  “About three or four years ago … I was feeling really depressed and I had this notion that if I went out and painted a rainbow, maybe someone would see it and feel what I was feeling or feel anything as intensely as I was. The first one I did, I just literally dumped the paint over the side of a pretty ugly, abandoned, alleyway building. It came out OK but not like any of the ones I’m doing now.”

What do you say to the people who don’t like your rainbows?
I painted it for anyone who wants a moment to themselves, or a moment to remember or imagine. To the people that have responded negatively, I challenge them to come and look at it. Don’t look at it on your TV or online or in a newspaper; come see it. Don’t look at it knowing it’s graffiti. Just look at it for what it is. Who can hate rainbows? The rainbow [itself] is the pot of gold at the end of the rainbow, all you have to do is look for it.

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