Regardless of History

 Posted by on July 20, 2013
Jul 202013
 

400 Parnassus
UCSF Medical Center
Inner Sunset

Regardless of HistoryRegardless of History by Bill Woodrow

 Bill Woodrow (1948) was one of a number of British sculptors to emerge in the late 1970s onto the international contemporary art scene.

Woodrow’s early work was made from materials found in dumps, used car lots and scrap yards, partially embedded in plaster and appearing as if they had been excavated. He went on to use large consumer goods, such as refrigerators and cars, cutting the sheet metal and allowing the original structure to remain identifiable, with the cut-out attached as if by an umbilical cord to the mother form. Collecting all manner of things, altering them and giving them a new context, allowed Bill Woodrow an element of narrative in his work.

Regardless of History is a quarter scale version of a sculpture with the same title created for the empty fourth plinth in Trafalgar Square in London, England, which was installed there from the spring of 2000 to the summer of 2001. Bill Woodrow chose to explore a recurring theme in his work—challenging and questioning man’s inability to learn the lessons of the past. A critic has observed that by placing the book over the man’s ears and the tree’s roots over his eyes, Bill implies that mankind listens to history but cannot see the lessons. We carry on ‘regardless of history’—an appropriate symbol and reminder for the entrance to a library. However, the work also evokes the theme of human frailty and of the strength and importance of knowledge and understanding.

Bill Woodrow

Garden of Remembrance

 Posted by on September 28, 2012
Sep 282012
 

San Francisco State University
Lakeside

Head by Shu-hie Yang – Student work

This piece resides in the Garden of Remembrance.

The Garden of Remembrance is located in the quiet courtyard between Burk Hall and the Fine Arts Building, it was dedicated in 2002. It honors the 19 former SF State students who were pulled from their classes under U.S. military and government orders and forced to live in remote camps across the country during World War II, along with the more than 120,000 Japanese Americans who suffered the same fate.

Designed by Japanese American artist and honorary SF State Master of Fine Arts recipient Ruth Asawa, the garden contains 10 boulders that serve as symbolic reminders of the different internment camps. A waterfall on the east side of the memorial represents energy and renewal, and the Japanese Americans’ return to their homes. The garden also features a plaque, which provides historical information regarding internment and the SF State Students directly affected by it.

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