Promised Land

 Posted by on July 17, 2015
Jul 172015
 

10th and Market Streets
Mid-Market

Delaney Chin Promised Land

As part of San Francisco’s 1% for Art program this 3500 square foot Public Open Space, at the corner of 10th and Market Street, was designed by Topher Delaney and Calvin Chin.

The “official” description reads:” …cartographic layers of maps reflecting the exact location of the site in graded finishes of granite reflecting a scaled map 1:42 of San Francisco, bisected by intersecting granite trapezoids. One is etched with topographic lines indicating the California Coast and the other is etched with the watercourses of the Sacramento River which flows into the Richmond Bay surrounding San Francisco. The confluence of these two trapezoidal maps is the reason the ground upon which Promised Land is located in the city of San Francisco as we know it.”

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The “flooring” for Promised Land is a map linking the delta to the bay to the ocean, with the flow of water carved into the granite like a woodcut. Much of this from staff cartographer, David Swain.

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There are two granite monoliths on one is the word Promised etched and then filled with gold coloring, on the other, in the same type face is Land.

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The installation continues along the side of the building incorporating more of the stunning granite.

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I am thrilled to see such a visceral and organic installation on this corner.  It should really help to bring the mid-market area forward into a more human space.

The project costs were in the neighborhood of $1.7million.

155 Sansome Street

 Posted by on November 10, 2014
Nov 102014
 

155 Sansome Street
Financial District

115 Sansome Street, San Francisco

The sculptures over the Sansome Street entrance to the Pacific Stock Exchange, now the City Club, were done in 1929-1930 by Ralph Stackpole.

Stackpole has been in this website many times before and you can read about him and his work here.

On January 18, 1930 Junius Cravens of the Argonaut wrote of this piece:

“As one studies Stackpole’s fine decorative sculpture group, ‘Progress,’ which overhangs the east entrance to the office building, one finds in it a symbol,whether employed conscious­ly or not, of the aforesaid future. A huge nude male figure, in high relief, dominates the group, his outstretched hands resting upon the arc of a rainbow. Above the rainbow, to the right and left,are stylized suggestions of rain and lightning, symbolizing water and electric power. Be­neath it, and flanking the main figure, are two smaller male figures in low relief which represent progressive labor. The group as a whole is beautifully balanced in design, and is executed with mastery.”

Ralph Stackpole on the City Club of San Francisco

 

 

 

 

 

 

Guglielmo Marconi Memorial

 Posted by on October 31, 2013
Oct 312013
 

Lombard Avenue
On the drive up to Coit Tower
North Beach

Marconi Monument San Francisco

 

This memorial to Guglielmo Marconi was placed sometime in 1938-1939.

A group called the Marconi Memorial Foundation incorporated in the 1930s for the purpose of enshrining Marconi as the inventor of the wireless (a fact contested by the Russians). They placed two memorials one on the slopes of San Francisco’s Telegraph Hill and  one at 16th and Lamont Streets in Washington D.C..

The Foundation collected public subscriptions from the supportive Italian-American community in North Beach, and on April 13, 1938, received permission from the U.S. Congress and President Franklin Roosevelt to erect memorials on public land. The foundation spent $65,115 for the two memorials.

DSC_5433Carved in Raymond California granite the latin on the base reads: Outstripping the lighting, the voice races through the empty sky.”

Marconi Monument Telegraph Hill

Marconi, is credited with not only developing radio telegraphy (wireless), but he brought it to England. A patent was granted him in 1896.

“In 1899 a team of San Franciscans reproduced Guglielmo Marconi’s method of communicating by radio waves and demonstrated its usefulness by sending a message in Morse code from a lightship anchored outside the Golden Gate to the Cliff House on the San Francisco Shore. This was the first wireless message broadcast on the West coast and the first ship-to-shore broadcast in the United States.”  University of Santa Clara: A History, 1851-1977 by Gerald McKevitt 

A month later Marconi himself came to America and repeated some of his experiments.

On April 27th , 1934 Marconi celebrated his 60th birthday by receiving an honorary citizenship of San Francisco. It was conferred in a ceremony at the Academy of Italy by Father Oreste Trinchieri, representing Mayor Angelo Rossi. The inventor made a 10-minute talk. Marconi recalled his visit to San Francisco and the fact that California had welcomed thousands of Italians to her bosom. He asked Trinchieri to convey to the mayor his heartfelt thanks and say that he hopes to return to San Francisco soon.

San Francisco Call

The statues are often credited to Attilio Piccirilli (May 16, 1866 – October 8, 1945)  an American sculptor, born in the province of Massa-Carrara, Italy, and educated at the Accademia di San Luca of Rome.  He in fact did do the Marconi Memorial in Washington D.C.  However, the sculpture in San Francisco has been attributed to Raymond Puccinelli by the Smithsonian Institute.

Puccinelli has been in this site before with his Bison Sculpture.  Son of Antonio and Pearl Puccinelli, Raymond was born in 1904, on Jessie Street in San Francisco, and attended Lowell High School. Puccinelli studied art in both California and Italy, and for a time maintained a studio in Lucca, Italy.  He was sculptor in residence of the  Rinehart School of Sculpture of the Maryland Institute of Art and Peabody Institute. 

View from the Marconi Memorial

 

The view from the Memorial is one reason many people don’t notice it is there.

Telegraph hill was named, not for radio telegraphy (wireless), but for the semaphore visual signaling device erected there at the instructions of ship Captain John B. Montgomery and used from 1846 until the turn of the century.

Henri Crenier’s Telamones

 Posted by on May 16, 2013
May 162013
 

Civic Center
San Francisco City Hall

Henri Crenier sculptures

These telamones by Henri Crenier have always taken my breath away.  They sit on the Van Ness side of City Hall.

Telamones (plural) or Telamon are sculptured male human figures used in place of columns to support an entablature.  They are also called Atlantes (plural) or Atlas.  They are called Caryatids if they are female figures.

Henri Crenier Atlas*

Henri Crenier Atlantes

Henri Crenier was responsible for much of the art work on City Hall.

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