Tromp l’oeil by John Wullbrandt is gone

 Posted by on July 8, 2013
Jul 082013
 

Turk and Hyde
The TenderloinJohn Wullbrandt

This tromp l’oeil was done by John Wullbrandt  in 1983.  John is a Carpenteria, California – Hawaii based painter responsible for creating much of the artwork on the Island of Lana’i, Hawaii. He founded the Lana’i Art Program in 1989, where he engaged local talent to embellish the award-winning Lodge at Koele and Manele Bay Hotel.

Before John’s work the wall looked like this.

Turk and Hyde

In February of this year (2013) Wullbrandt’s mural was painted over by How and Nosm in conjunction with Rogue Projects and White Walls,

How and Nosm at Turk and Hyde

This was a shock to the artist, as to those of us have enjoyed John’s work over the years.  The State of California has very specific laws regarding painting over murals in the state, and first and foremost that the artist must be notified.  I have had correspondence with John specifically stating that he not only was not made aware, but is devastated that his work has been painted over.

John went on to write “John Wehrle and I painted 222 Hyde with liquid silicates so that it would have lasted more than 80 years… At the time we painted it, it was the largest architectural trompe l’oeil mural west of the Mississippi. it was soon eclipsed by many others…It represented a building rising from the rubble of other buildings in a theatrical/stage set manner. It was my way of illustrating the symbol of San Francisco which is the Phoenix rising.”

I contacted White Walls Gallery, this was their response :

“The wall was painted per request and permission from the building owner. The city was fining the owners for the tags on the wall. The owners had contacted the artist and they had also painted over the graffiti to try and preserve the wall. We were asked to paint the wall because of those reasons. In no way were we trying to disrespect the artist and we’re quite upset to hear that backlash that has occurred.
The artists who painted the wall are very well respected artists and the wall has not been tagged since they’ve painted it. The community seems to like it, but I understand some are upset that John’s mural is no longer there. It was a beautiful piece and I am sorry to see it go, but I believe it was time for a new piece.”
I then told them about the California Law and this was their response:
“I am not aware of that law, and I have heard differently from the cities arts commission. I contacted the arts commission before we painted the wall and they said there was no legal steps that needed to be taken because the wall is not property of the city, it is private property. Seeing as we had permission from the original owners, we were free to paint on it.”
It is a sad business and it is my contention that the SF Art Commission is most likely the organization in the wrong.  The mural was painted with funds from the City of San Francisco’s Mayor’s Office of Community Development, and was the responsibility of the Art Commission.  Their lack of interest had directly led to the destruction of a treasured piece of art.

A Peacock Awes the Tenderloin

 Posted by on May 20, 2013
May 202013
 

Geary and Leavenworth
The Tenderloin

Peacock on Leavenworth

This phenomenal peacock is by Satyr-1, who has been in this website many times. Satyr-1 is a professional artist who has long since left the ideas of “tagging” behind for commissioned projects in defined spaces with the support of building owners.  His work made a difficult transition, but it mirrors the challenges faced by many other artists in todays street art culture.

Peacock by Satyr on Leavenworth

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Peacock mural on Leavenworth

Familia

 Posted by on February 4, 2013
Feb 042013
 

Potrero del Sol Park
Potrero Hill
Potrero at 25th Street

Familia by Victor Reyes

Familia is by Victor Reyes, who has many pieces around San Francisco.

On June 9, 2011 the San Francisco Examiner ran this article about the mural:

A community that came together to solve the problem of persistent graffiti at a neighborhood park celebrated the unveiling of a mural painted in the hope of staving off vandalism.

Potrero del Sol Park, which is a favorite among skaters and schoolchildren, is bordered by Buena Vista Elementary School and a building maintained by San Francisco General Hospital.

Taggers constantly targeted a wall of the hospital building, according to The City’s Recreation and Park Department. After hospital painters’ efforts to efface the wall were thwarted time and time again, the community rallied.

The school’s PTA found the artist Victor Reyes to compose a mural, and the students competed in a naming contest. The parks department waived the permit fee, the hospital donated paint and scaffolding and navigated the plan through the San Francisco Arts Commission.

The “Familia” mural, whose bright blocks of colors pop against the otherwise neutral surroundings, was unveiled 10 a.m. Wednesday at the park located at 25th and Utah streets.

According to the parks department, the mural is the story of “a shared problem and a creative solution.

Jan 052013
 

Fort PointIt took 116 years for Fort Point to become a National Historic Site, and its life along that road was a bumpy one. Construction on Fort Point began in 1854. Thanks to the California Gold Rush, commerce was booming in San Francisco, and it was important that the portal through which valuable cargo flowed, the San Francisco Bay, was protected. The Fort, as it is configured today, is how it was originally envisioned. In 1857 a reporter for the Daily Alta California described the workmanship at Fort Point as “solid masonry of more than ordinary artistic skill which meets the eye at every point…the visitor is at a loss to determine what he admires most-the granite or the brickwork…” Once the foundation-thousands of tons of granite, brought from China-was laid, work began on the masonry arched casements that would house the guns and the troops. Originally the entire fort was to be of granite, but three years into the project the engineers decided to switch to bricks, made to their specifications on a hill just south of the fort. Master masons were hired for setting and laying the millions of bricks; they were assisted by numbers of men that had gone “bust” in the gold rush.

Brick Walls*

Stone Stairs

Slow in finishing, the Fort construction was completed just in time for the outbreak of the Civil War. The military occupied the Fort and prepared it for attacks that never came. Life for those stationed there was not easy: the thick walls, built to protect the Fort, made for dark spaces; the fog, an ever present element of San Francisco made the place cold and damp. The Bay itself  also took its toll on the structure. The constant waves threatened to undermine the footings. In early 1862 work began on the 1500-foot sea wall that still remains. Again, thousands of tons of granite, this time from Folsom, California, were laid down and keyed together. The spaces were filled with cement and then covered with tar-impregnated cloth and molten lead.

GGBridge

After the Civil War the Fort was abandoned, except for a caretaker. It did, however have a dozen men garrisoned there during the 1906 earthquake. After all the men were out safely, they noticed that the entire hillside wall had moved away from the rest of the building by eight inches. The Fort was abandoned, and plans to turn it into a detention barracks were adopted. The Fort was remodeled, and yet, never did become detention barracks. The World War I troop buildup brought the Fort back into use as housing for unmarried men.  During this time the Fort was also used as a “base end station,” which located the positions of attacking ships and controlled the firing of seacoast guns, mortars, or mines to defend against them. Abandoned once again after WWI, the Fort fell into severe disrepair.

Tie Rods Damage caused by the  1906 earthquake: tie rods were positioned, and the wall was pulled into place and anchored back to the main structure.

CourtyardThe interior courtyard with the original cast iron columns and capitals

In the early 1930s funds were being raised for the new Golden Gate Bridge. Engineer and designer Joseph Strauss initially felt the Fort would be an impediment to the bridge and wanted it gone. In 1937, however, after a tour of the Fort and the realization of its superior craftsmanship, he wrote to the Golden Gate Bridge District: “While the old fort has no military value now, it remains nevertheless a fine example of the mason’s art. Many urged the razing of this venerable structure to make way for modern progress. In the writer’s view it should be preserved and restored as a national monument.”

Fort Point

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GraffitiGraffiti left by prisoners from Alcatraz sent to repair Fort Point in 1914  

World War II found the Fort again refurbished and armed with Anti Motorized Torpedo Boat guns. The Bay never saw any action during the war, and the rapid demobilization after WWII left the military with a relic.  Preservation enthusiasts started to organize beginning in 1947, but no government agency would step in and claim the Fort. In 1959, a group of retired military officers gathered together and formed the Fort Point Museum Association. They raised money and public awareness, and in 1970 President Richard Nixon signed a bill designating Fort Point a National Historic Site.

Jail cellsThe Fort has four small jail cells. They now function as offices for the park rangers.

Prisoner ArtPrisoner art work, found on the jail-cell wall

Garrison GinGarrison Gin, used to move cannons to the upper floors

cannonsFort Point is now part of the United States Park Service. It is open Friday through Sunday from 10 am to 5 pm. Candlelight tours are given in January and February.  A full report of the history of the Fort, as well as its construction and restoration documentation can be found on the the National Park Service website.

Horfe paints San Francisco

 Posted by on November 8, 2012
Nov 082012
 

Mission/SOMA
Folsom and Erie

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This mural at the corner of Folsom and Division is by French artist Horfe. According to Alternative ParisHorfe is considered to be one of, if not the leading graffiti writer in the world. Horfe has been writing his name on walls for the past 12 years, mainly in Paris, where his graffiti can be found on shop fronts, trucks, walls, train sidings and roof tops, city-wide.

His style of graffiti is extremely unique, blending typography and flat coloured illustration – it’s rumoured that Horfe attended the École Nationale Supérieure des Beaux-Arts, the distinguished National School of Fine Arts in Paris.

Horfe’s ‘dubs’ (graffiti painted quickly with no more than two or three colours), for example, are done with a naivete that disregards typical graffiti style. It is instead reminiscent of very early New York subway graffiti.

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According to the August 2012 Complex Magazine: Horfe is one of the top 25 graffiti artists around today: Horfe is a bit weird and very French. He’s the graffiti poster boy of 2012, constantly evolving and changing. Additionally, his crew Peace & Love are one of the most interesting around at the moment.

 

While I will admit he is excellent, I would put many of our San Francisco artists up there in the rating of some of the best.

Few and Far Paint Clinton Park

 Posted by on October 15, 2012
Oct 152012
 

 

As you turn onto Clinton Park from Valencia the first piece you are greeted with is the beauty by Amanda Lynn.  Few and Far  have covered the walls of Clinton Park to the delight of all that wonder down this very short alley.

 

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And a little further down Valencia at Duboce, you will find another by Mags and Amanda Lynn

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Herakut and Rusk Paint the Tenderloin

 Posted by on August 16, 2012
Aug 162012
 
The Tenderloin / Polk Gulch
Hemlock and Polk
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The area under this fire escape in Hemlock Alley has been the home to many worldwide known graffiti artists. Roa was featured here not too long ago.

This piece is by Arkut, Hera (who often paint as Herakut) and Rusk, all from Germany.

HERA, 27 years of age, born in Frankfurt, is looking back on a straight and classic art education with taking lessons from old weirdo artists, starting from when she was eight. That plus her never-ending years of studying Graphic Design account for her preferences today: she says, she would rather paint in the rain than do work at a desk. Even though that kind of weather might get you sick and makes it hard to foresee the final result of your piece because it keeps washing all pigments off the wall – it is still better than doing some tedious office work.

AKUT, 31 years, decided to take a ride when the graffiti wave reached his hometown Schmalkalden. Together with CASE, TASSO and RUSK, he formed the MA’CLAIM Crew, which is nowadays worldwide renowned for their photorealistic style in graffiti. AKUT studied Visual Communications at the Bauhaus University in Weimar.

RUSK is from Berlin.

MA’CLAIM has a wonderful blog if you are interested in seeing other works.

Stylefile interviewed Arkut and Hera, the interview is very enlightening and what I found interesting is that Hera mentioned that she was especially fond of Os Gemeos, whose work you can see here.

SOMA – Few and Far

 Posted by on June 18, 2012
Jun 182012
 
SOMA/The Mission
69 Duboce
Between Valencia and Mission

This is an empty lot that was taken over (with permission) by Few and Far. Few and Far is a woman’s street art group and this is what they say about themselves on their blog:

Few and Far is a movement that brings together talented women who are involved in graffiti, Skateboarding and street art from all over the world. Few and Far connects women by creating social and artistic exchange, by showcasing art on the streets, on walls and in other high profile venues. Few and Far fosters and celebrates the power and expression of female street artists. Importantly, Few and Far consists of a team of open minded, highly creative, cutting edge and dedicated every day females. We seek to expand this movement with the involvement more around the globe, and hope to highlight their commitment to their craft. Also Building life long friendships.

The group is made up of a quite a number of women.

 

 Lady Mags is from Oakland.

Hops is from Seattle.  (From Few and Far’s Blog) Few & Far’s Hops is such a dope person on many levels. She is very motived, fast and clean painting, often finished before any of us have our final outlines up. She paints anything she gets her hands on!

Dime is from Oakland.

Keith Haring

 Posted by on September 13, 2011
Sep 132011
 
SOMA
Moscone Center
Corner of Howard and 3rd Streets

This piece has become iconic in the city.  It is viewed by anyone that is heading into the Moscone Convention Center.

Keith Haring is controversial on his best days. Which is sad because he was a truly gifted artist who was passionate about facing up to discrimination of all types, and gave of himself freely to charitable work, children’s issues and causes he felt powerful about.

The first time he had a showing at SFMOMA, this was the sign that stood outside:

IMPORTANT PARENTAL ADVISORY:Some of these exhibitions contain artwork of a sexually explicit nature that is not appropriate for children and that some people may find offensive. We recommend that children have restricted access.

He became a household name through his New York subway art, depicting the essence of the figures above.  Born in 1958 he died of AIDS in 1990.  He established a foundation before his death that holds tight reins on his work and makes sure profits go to AIDS awareness and education.  His full biography can be read here (text only).

The pieces are painted steel. It is untitled, but is often referred to as Three Dancing Figures. The piece, originally done in 1989 was purchased and installed by the city in 2001 with art enrichment funds generated by the expansion of the Moscone Convention Center. The purchase came on the heels of a successful 1998 retrospective of Haring’s work at the San Francisco Museum of Modern Art. Thanks to a $65,00 grant from the Haring Foundation the piece had a full restoration in 2012.

During another retrospective of Haring at the DeYoung (November 2014 – Februay 2015)  The guest curator Dieter Buchart, summed up Haring very nicely in his statement ” “Haring understood that art was for everybody—he fought for the individual and against dictatorship, racism and capitalism. He was no utopian, but he had a dream that ‘nothing is an end, because it always can be the basis for something new and different.”.

At the DeYoung exhibit a film titled The Universe of Keith Haring by filmmaker Christina Clausen runs in the Koret Auditorium, and is worth the time to view.  It was filmed in 2008 using archival film from Haring’s lifetime.

 

 

 

Os Gemeos First Go Around

 Posted by on March 11, 2001
Mar 112001
 
Mid Market
near 6th

Untitled by Os Gemeos

Os Gemeos means “the twins” in Portuguese and is pronouced “Ose Zhe’-mee-ose.”  These two identical twin brothers (born 1974) hail from São Paulo, Brazil.  Their real names are Otavio and Gustavo Pandolfo. They started painting graffiti in 1987 and gradually became a main influence in the local scene, helping to define Brazil’s own style. Their work often features yellow-skinned characters but is otherwise diverse and ranges from tags to complicated murals. Subjects range from family portraits to commentary on São Paulo’s social and political circumstances, as well as Brazilian folklore. Their graffiti style was influenced by both traditional hip hop style and the Brazilian pixação movement.

There is a rather long, but great interview with the cousins and a wonderful collection of their work here.

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