Marina Airfield

 Posted by on October 12, 2019
Oct 122019
 

Marina District

This plaque marks the site of the MARINA AIR FIELD. The First terminus of the UNITED STATES POST OFFICE DEPT. TRANS-CONTINENTAL AIRMAIL SERVICE The first scheduled mail-plane landed her September 9, 1920. Presented by the Air Mail Pioneers Inc.

This airfield was originally part of the 1915 Pan Pacific International Exhibition (PPIE). During the 266 days the Exposition ran the field was used several times a day.

Lincoln Beachey flying over the PPIE

Aviator, stunt pilot, and native San Franciscan, Lincoln Beachey had been a main attraction of the fair, however,  he was tragically killed performing at the fair.

From Disciples of Flight.com:

“On March 1915, a crowd of 50,000 gathered in the fairgrounds to watch Lincoln J. Beachey’s spectacular flying stunts, with another 200,000 spectators packed into the surrounding hills for a free viewing. This event would unveil Lincoln’s latest and most powerful plane yet, the Beachey-Eaton Monoplane, capable of flying at over 100 mph. The event began successfully, with Lincoln guiding the monoplane high over Alcatraz Island and the San Francisco bay, completing a loop the loop or two to get the crowd going.

Amongst the deafening cheers of the onlookers, Lincoln turned the plane onto its back in possible preparation for an inverse loop, just 3,000’ over the water. The plane began to sink in the air, and Lincoln attempted to salvage the situation by turning the plane 180 degrees onto its belly, but the strain of the maneuver cracked the rear spars, and the force of the air against the wing of the monoplane cracked it down the middle with a bone-rattling sound, allowing the wind to rip the wings completely from the body of the plane.

Now, locked in a nose-dive from which he could not escape, Lincoln and his mangled monoplane crashed against the surface of the bay, quickly sinking into the freezing water.

It would take rescuers nearly two hours to find the body of Lincoln, still strapped tightly to his monoplane, which was discovered close to the shore of the bay near Fillmore Hill, bringing him back to where his fatal love of flying began.”

Lincoln Beachey had a fascinating career, which has been documented very thoroughly at DisciplesofFlight.com

After Beachey’s death the organizers of the Exposition weren’t sure if this type of entertainment should continue. Then Art Smith strapped fireworks to the back of his bi-plane and took off at night for the first of a series of spectacular performances defined by his aeronautical prowess in his execution of looping-the-loop, rolling over sideways, and a startling series of spins, drops, and dips.

From September 9, 1920 through 1944, Marina Green served as Montgomery Airfield named in honor of pioneer aviator and native Californian, John J. Montgomery and also as Marina Airfield when it was the first terminus of the United States Post Office celebrated in the plaque found on the green.

The field was one half mile west of Fort Mason along the edge of the bay. Its was unpaved and ran 1500′ east/west by 500′ north/ south and had gas and oil available on the field.

A September 11, 1920 article in the New York Times stated: “Carrying 700 pounds of mail,the first transcontinental postal airplane to leave San Francisco cleared from the Marina Field at 6:15 A.M.
Raymond Little was the pilot.”

This site was abandoned within 2 years and mail service was moved a short distance away to Crissy Field.

On the other side of the pedestal can be found this plaque

“At this site on 8/30/44, Stanley Hiller Jr., pioneer helicopter designer, made the first sustained & successful public flight of a helicopter in the western United States. His single-place rotorcraft, the XH-44, was the first helicopter designed & built in the west, and America’s first successful co-axial helicopter. Presented by San Francisco International Airport Flight Festival Committee, August 1954.”

The Marina Green served as the location for the first flights of the Hiller XH-44 helicopter, the first coaxial helicopter to fly in America, an aircraft currently in the collection of the Smithsonian Institution.  The first actual trial of the Hiller was in Memorial Stadium in Berkeley, California, just across the Bay.

The Hiller-Copter being tried out by its owner and another San Francisco native, Stanley Hiller Jr.

The plaques are on the flagpool pedestal that can be seen in the distance on the right at approximately 435 Marina Boulevard.

Marina District Lighthouse

 Posted by on October 4, 2019
Oct 042019
 
Marina District Lighthouse

1 Yacht Road Marina District Once there was a grand plan to construct two of these stunning stone lighthouses at the harbor entrance in the Marina District. The harbor itself was originally built as a lagoon for the Panama-Pacific International Exhibition of 1915. The lighthouse was the idea of Captain B.P. Lamb of the Park Commission, who also suggested the general design of the tower.  The design followed that of Roman military watchtowers built for the Punic Wars. Captain Lamb was quoted as saying, “Yachtsmen have been forced to rely on shore lights in making the harbor at night.” The city Continue Reading

Moscone Park

 Posted by on July 11, 2017
Jul 112017
 
Moscone Park

Moscone Park 1800 Chestnut Street Marina District This Leatherback Sea Turtle and the Pink Short Spined Starfish in the playground of Moscone Park were gifts to the San Francisco Arts Commission from the Friends of Moscone Park These bronze sculptures were the work of Jonathan Roberson Beery. Jonathan Beery is a California native and studied at the California State University in Long Beach. The tiled seating was also a gift of Friends of Moscone Park and was a joint project between the artist and children of the neighborhood.  The bench cost approximately $9500. *

McDowell Hall

 Posted by on March 17, 2014
Mar 172014
 
McDowell Hall

McDowell Hall Franklin Street Fort Mason Marina District Fort Mason was originally called Fort Point San Jose       According to a 2005 Historic American Buildings Survey Quarters 1 was built in 1877.  General Irvin McDowell secured $9,998.74 from Congress to construct Quarters 1. This building was not named McDowell Hall until July 1958, in honor of the General. From the Report: “The original building plans have not yet been found. Quarters 1 was originally built for General Irvin McDowell, the commander of the Military Division of the Pacific, who was stationed at Fort Mason. Prior to 1877, the building Continue Reading

Huru by di Suvero

 Posted by on July 19, 2013
Jul 192013
 
Huru by di Suvero

Crissy Field Huru 1984-1985 Steel   “Huru”,  at 55 feet, is the tallest sculpture in the exhibit. A simple tripod base supports a six-ton upper section made of two long pointing pieces, like open scissors that move in the wind. Some read them as welcoming arms; to me they looked like futuristic machine guns, or at other times a gladiators helmet. This is my favorite, which is why I have left it for last.  I could not quite put my finger on why it was my favorite, and oddly, as I have been writing about all the others, I’m not Continue Reading

Are Years What? #7 of 8

 Posted by on July 18, 2013
Jul 182013
 
Are Years What?  #7 of 8

Crissy Field Are Years What? (for Marianne Moore) – 1967 “Are Years What (for Marianne Moore)”, is the first sculpture Mr. di Suvero made entirely with steel I-beams. Its main feature is a steel V-shaped angle that hangs and swings freely in space, counteracting the solidity of its two vertical and four sprawling diagonal beams. (The tall beam from which it hangs—itself held in place by thin cables—is 40 feet long.) Are Years What is part of the Hirshhorn Museum Collection. What Are Years? By Marianne Moore What is our innocence, what is our guilt? All are naked, none is safe. Continue Reading

Old Buddy #6 of 8

 Posted by on July 17, 2013
Jul 172013
 
Old Buddy #6 of 8

Crissy Field Old Buddy (For Rosko) 1993-1995 “Old Buddy (For Rosko)” (1993-95), a tribute to the artist’s dog, could be read as an abstract animal. A rear upright section on two legs (which might have a tail) is joined to a front upright section on three legs (which might have a circular face and upward-pointing ears) by a straight 50-foot-long silver-painted spine. But it’s far more than a sentimental gesture. The precisionist rear section and the long connecting beam are painted silver; the tripod, circles and “ears” of the front section are left rust-brown. And one can admire it—especially if Continue Reading

Mother Peace #5 of 8

 Posted by on July 16, 2013
Jul 162013
 
Mother Peace #5 of 8

Crissy Field Mother Peace – 42 feet tall, painted Steel 1969-1970 Mother Peace was originally installed near an entrance to the Alameda County courthouse in Oakland, but a judge, so offended by the peace sign that di Suvero had painted on one of the I-beams, transformed himself into an art judge and insisted on its removal.  The work is now installed at Storm King Art Center. Di Suvero himself moved to Europe in 1970 to protest against the war in Vietnam, returning to the United States in 1974. Mother Peace is built around one 42-foot vertical beam (a V-shaped horizontal piece Continue Reading

Figulo #4 of 8

 Posted by on July 15, 2013
Jul 152013
 
Figulo #4 of 8

Crissy Field Figulo (2005-11) 47′ × 55′ painted steel, steel buoys – collection of the artist From the Brooklyn Rail when this piece was exhibited at Governor’s Island:  From afar, it looks to be a drafting compass fit for the gods. Its red extension beams ignite in the afternoon sunlight. At close range, the dimensions shift perceptually. The sculpture’s backbone extends outward as joints become gracefully visible, angles more acute. The sky seems closer than ever, as meandering clouds seem to collapse into the slats between the beams.

Will by di Suvero #3 of 8

 Posted by on July 13, 2013
Jul 132013
 
Will by di Suvero #3 of 8

Crissy Field Will, 1994- steel-  Doris and Donald Fisher Collection This exhibit on Crissy Field coincides with di Suvero’s 80th birthday, the exhibition holds particular significance for the artist, who immigrated to San Francisco from Shanghai at the age of seven. His passage beneath the Golden Gate Bridge—which opened a few years before his arrival—proved to be a lasting inspiration, as the scale and color of the structure have influenced di Suvero throughout his life. Di Suvero notes, “It was like a rainbow, a bridge coming to the New World starting a new life. The woman who chose the color Continue Reading

Magma by Mark di Suvero #2 of 8

 Posted by on July 12, 2013
Jul 122013
 
Magma by Mark di Suvero #2 of 8

Crissy Field “Magma” (2008-12), steel sculpture by Mark di Suvero, measures 25 feet tall by 48 feet wide. Leant by the artist, this piece is on public view for the first time.  Magma appears as a giant sawhorse in which a 48-foot I-beam is supported between two of the artist’s traditional, uneven tripods. It is distinguished by a big pair of cut circles (or C’s, or G’s) that can slide along the horizontal beam, matched by a pair of similar rings that wrap around the joint at one of the ends.   Mark di Suvero, has other pieces permanently around Continue Reading

Dreamcatcher first in a series of 8

 Posted by on July 10, 2013
Jul 102013
 
Dreamcatcher first in a series of 8

Crissy Field In light of the closing of SFMOMA for its expansion, the museum is placing art “all around town”. This exhibit of EIGHT of Mark Di Suvero’s massive metal sculptures is the first of the series. As much as I love and respect the curators of the SFMOMA, I have always felt that they never quite understood the subtleties of culling an exhibit down to its finer points. This retrospective is no different.  It is the opinion of this writer, that large sculpture should either overwhelm its environment so that it becomes the focal point, or is overwhelmed by its Continue Reading

San Francisco’s Wave Organ

 Posted by on July 25, 2012
Jul 252012
 
San Francisco's Wave Organ

Yacht Road Marina Green * The View towards the wave organ from Marina Green Looking back towards downtown and Fort Mason from the Wave Organ The Golden Gate Bridge from the Wave Organ Palace of Fine Arts and the San Francisco Yacht Club, view from the Wave Organ The Wave Organ is an exhibit of the Exploratorium.  It is a wave-activated acoustic sculpture developed by Peter Richards and was installed in collaboration with sculptor and master stonemason George Gonzales. Inspiration for the piece came from artist Bill Fontana’s recordings made of sounds emanating from a vent pipe of a floating concrete Continue Reading

Marina District – Passage

 Posted by on September 22, 2011
Sep 222011
 
Marina District - Passage

Marina District Bay and Laguna Kent Roberts Passage I fell in love with this the moment I laid eyes on it.  There is something so simple and yet amusing about this piece.  It is 25 feet long and made of stainless steel. The piece is part of the city’s Civic Art Collection. The description states that it pays homage to ships that carried early settlers to the San Francisco Bay. During the Gold Rush, hundreds of people who arrived at the harbor abandoned their ships. These eventually had to be sunk and became the landfill on which the Marina District Continue Reading

error: Content is protected !!