Two Old Banks Still Stand Proud

 Posted by on March 16, 2001
Mar 162001
 

Grant Avenue and Market Street

union trust and savings union banks frisco market street Architectural Spotlight: Two Old Banks Stand Proud

Many critics of historical preservation projects complain that the process leaves the building frozen in time. Adaptive re-use proves that this does not need to be the case.

Adaptive re-use, which adapts buildings for new uses while retaining their historic features, can also a sustainable form of development that reduces waste, uses less energy and scales down on the consumption of building materials. San Francisco’s Ghirardelli Square remodel in 1964 marked the first adaptive re-use project in the United States and San Francisco has never looked back.

A prime example of adaptive re-use in San Francisco can be found when comparing the two, classic Beaux Arts buildings that make up the stately entrance onto Grant Avenue from Market Street, the one street in San Francisco that comes closest to embodying the City Beautiful movement espoused by Daniel Burnham.

Coincidentally, both buildings were originally banks. Standing at 1 Grant Avenue is San Francisco Landmark #132: built in 1910 as the Savings Union Bank it was reconfigured for retail through adaptive re-use in the 1990s. The Savings Union Bank was designed by Walter Danforth Bliss and William Baker Faville. Both gentlemen were graduates of MIT and began their San Francisco practice in 1898.

This steel frame building is clad in gray granite. Six Ionic columns hold up its massive pediment 38 feet high. This modified domed temple is derived from the Roman Pantheon. The pediment, designed and sculpted by Haig Patigian, houses a Bas Relief of Liberty. Patigian, an Armenian by birth who spent most of his career in San Francisco, was one of the cities most prolific sculptors during his time.

At one time the front was graced with bronze doors. These doors consisted of four panels designed by Arthur Mathews and were said to be “descriptive of the historical succession of the races in California.” First the Indian, then the Spaniard who was typified by a Franciscan monk, next a miner representing the “American” and then an allegorical representation of a San Franciscan shown as the ideal figure of a youth beside a potter’s wheel modeling one of the new buildings in the city. Those doors have been replaced with glass.

d2c1171b3f02e4337bda307f761f90e3 Architectural Spotlight: Two Old Banks Stand Proud Interior of Retail establishment at 1 Grant Avenue (photo courtesy of Goldstick Lighting Company).

Inside are eight Tavernelle (an old building stone term that means spotted or mottled) marble Corinthian pilasters and columns thirty feet high. These support the main cornice, which is surmounted by an attic and coffered ceiling. The walls are not of marble but of Caen stone. Caen stone is a limestone quarried in France near the city of Caen. It was first used in the Gallo-Roman period. (the period when Gaul was under Roman influence)

Across the street, also built in 1910, at a cost of $1.5 million, stands the Union Trust Company Building, San Francisco Landmark #131. Union Trust merged with Wells Fargo Bank in 1923. The building still houses a Wells Fargo Bank branch.

AAC 4587 Architectural Spotlight: Two Old Banks Stand ProudPhoto Courtesy of San Francisco Public Library.

Clinton Day was the architect of this Neoclassical Beaux Arts building. According to the July 1, 1908 San Francisco Call “The structure at Market Street and Grant Avenue Will Be Handsome and Commodious.” Day came from a distinguished California family. His father was State Senator Sherman Day and co-founder of College of California, the precursor to the University of California Berkeley. Clinton Day was a graduate of College of California.

This modified temple design is without a pediment. Its beautiful layered façade consists of carved granite ornamentation, derived from classical antiquity that includes ten columns, a bracketed overhang and a roof crowned by a balustrade parapet. This is all accented by dark iron window framing. The curvature on the Market Street side grounds it nicely to its location.

This well-heeled area of Market Street makes these two banks stand proud, unlike the rundown Mid Market area that holds the Hibernia Bank.

Wells Fargo Bank Grant and Market StreetPediment at 1 Grant Avenue designed and sculpted by Haig Patigian.

 

  4 Responses to “Two Old Banks Still Stand Proud”

  1. A lot of our smaller bank branches have become coffee outlets like Starbucks. These 2 are real beauties!

  2. What a contrast to the Hibernia Bank! What gems these are — so glad to read that they are being preserved and repurposed. Do you know what happened to the bronze door?

  3. We recently got the opportunity to tour the Winona National Bank in Minnesota and were humbled by its turn of the century beauty. I’ll add these two banks to my list of places to see when I get to San Francisco. http://nomadicnewfies.blogspot.com/2012/07/winona-national-bank.html

  4. Random thoughts: 1. Love these two buildings. So graceful and regal looking. 2. The bronze doors were also in keeping with the Pantheon theme. Only the Pantheon doors are still there after almost two millennia. Please don’t tell us the bank doors were melted down. 3. Is this Wells Fargo building the one with the museum? 4. Didn’t know that Ghirardelli Square was the first architectural re-use project in the country. This actually astounds me. Also pleases me, local pride being what it is. 5. Had not heard of Caen stone before or that Caen was the site of a Roman era quarry. Caen has prominent in D-Day history but didn’t know anything about its early history. Will goggle for more info. As always, a fascinating and elucidating post.

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