Geary and Leavenworth
The Tenderloin
This phenomenal peacock is by Satyr-1, who has been in this website many times. Satyr-1 is a professional artist who has long since left the ideas of “tagging” behind for commissioned projects in defined spaces with the support of building owners. His work made a difficult transition, but it mirrors the challenges faced by many other artists in todays street art culture.
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Myrtle and Larkin
The Tenderloin
This piece is by Satyr. Satyr has some other murals in the Haight.
Satyr is known for his quality murals in San Francisco. He was brought up by The Master Piece Creators, one of the original aerosol art crews to bring concept walls to the city. Years into his graffiti career, Satyr became formally trained in illustration.
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This mural in the Haight Asbury district was dedicated to the rich history of the Haight Ashbury. It focuses on the elements born from the Summer of Love, and the movement sparked in 1967 towards a more peaceful society. It is located on the corner of Haight and Shrader, just half a block from the epicenter of the Summer of Love and where shows were played in the park.
The wall was rendered as 4 large psychedelic posters, the 3 to the right pay homage to the 3 big elements of the time: Peace, Poster Art, and Music. Each poster design gave nods at original 70’s posters, adorned with the lettering styles reminiscent of Victor Moscoso, Wes Wilson, Rick Griffin, Alton Kelley & Stanley Mouse. Just like back then, aesthetics were mixed, like photorealism, cartooning, illustration and a heaping spoonful of aerosol techniques.
The poster on the left are the signatures of the painters, integrated in a psychedelic poster art background. It is a way to tie the mural in with more personal roots of the artists, and showcase the legacy of illegible lettering styles.
The work was done by Lost, Satyr and Wes Wong of Fresh Paint. This crew is responsible a great dragon mural in Chinatown.
This piece sits outside the deYoung Museum and the plaque attached reads: Gustave Doré created this vase for French winemakers, who exhibited it at the 1878 Paris World’s Fair. It represents an allegory of the annual wine vintage, taking the shape of a colossal wine vessel decorated with figures associated with the rites of Bacchus (the Roman god of wine). The revelers include cupids, satyrs and bacchantes, who protect the grape vines from pests. The foundry shipped this bronze version of the vase to Chicago for the World’s Columbian Exposition of 1893 and then to San Francisco for the 1894 California Midwinter International Exposition. M.H. deYoung purchased the vase at the fair’s end and later donated it to the de Young Museum.
Paul Gustave Doré was an Alsacian artist who specialized in book illustrations. Born in Strasbourg, France, on January 6, 1832, he began his artistic career in Paris when he was only 15 years old. His drawings and illustrations were groundbreaking and very popular, although he never won the acclaim of the artistic elite in France. In his later years, he spent much time in London, where he also opened a very popular gallery. He died on January 23, 1883, at the age of 51.
Doré is probably most famous for his depictions of numerous scenes from the Bible, but he also produced illustrations for many other books, including Milton, Dante, La Fontaine, Don Quixote and one of my favorites Baron Munchhausen.